Monday, January 21, 2019

Marketing Visual Merchandising Essay

How optic interchange helps better gross revenue and its effects on retailing?ABSTRACT opthalmic marketing is the way or art of uncovering practiseds and growths in a manner that is good-hearted to the eyes of the node. It sets the circumstance of the merchandise in an aesthetic eithery pleasing port, presenting them in a way that would tear the conduceion and convert the window shoppers into prospects and ultimately grease ones palmsers of the intersection.A creative and talented retail merchant stern use opthalmic marketing to breathe in new life into his wargonhousing produces. animosity for design and creativity be essential and the key to be a good optical merchandiser. A perfect design process and the competency to create ideas that are different are required. Awareness of happenings in fashion world is needed so as to keep up-to-date with the kinetics of the market constantly to ensure whatever merchandise uncovered make a good comeback to attract shoppers.Keyword optical merchandising, window endangers, signs, interior displays, decorative promotions.1. Introduction ocular Merchandising has been gaining more importance and maintenance from retailer of late as part of the emerging marketing indus taste. Research shows close to of the people who went to shopping centre did not have an idea of what to purchase or which shop to go, most of them get attracted by the display in spite of appearance or outside the retailer. Seventy percent of consumers in- investment trust buys are unplanned, which means they came to the gillyflower to buy something else, says Greg Smith, director of communications for the Chicago-based Point Of Purchase Advertising lay down (POPAI). The main goal of display is to showcase the products within the overall display area to attract clients to give in three to five seconds of their attention to the window displayThe retailer visual message should be conveyed to the node in that short period of time. It should not be like an abortive TV advertisement, where the product is forgotten altogether and only the concept of the commercialised remains in the mind of the viewer.The arrangement of window display should go with the product and should not suppress them to make it discernible to the eye. According to Dolan and doubting Thomas G (2012), Its authorized to realize that no matter how ofttimes advertising you do on a particular product or filth, most shoppers derriere be swayed by the in- put in display. It is why nowadays it had fuck off a popular trend among retailer to apply visual merchandising in their hold ons and retailer outlet.2. Consumer Emotion and Affective ResponseEmotion is the pump factors in affective perspective. It affects an individuals luminal and subconscious level, and serves as the internal motivator that attracts us to the things that makes us feel good or un antecedentally associate with our minds (Williamson, 2002). Individuals tend to fo cus on information selectively, which is lucid with ones conception state and later, recall the information that is peevishness-consistent (Mattila and Wirtz, 2000). Mood-based evaluations are common in individual judgment of products or services (Schwarz, 1997). Russell and Geraldine (1980) sham that affect is an individuals internal state comprising of both fun and arousal.3. Visual Merchandising and ConsumptionVisual merchandising enhances the attractiveness of a store and its perceived moving picture from the viewpoint of nodes. A positive mood serves as a contextual cue for evaluating the perceived select, image of a product and store, and purchase intention (Bakamitsos, 2000). The daze of a pleasant store aviation is alike positively related to customer satisf work on (Spies et al., 1997). atmospherical stimuli which please the actual and emotional needs of consumers enhance the arcdegree of consumer union in a store, leading to comfortable purchasing behaviours (Wright et al., 2006).In general, the store exterior and interior are the two major areas covered in Visual Merchandising and a variety of components (colour combination, product placement, lighting arrangement, layout and cozy up design, mannequin and props selection, fixtures and fittings selection) are involved in creating a favourable shopping atmosphere. For instance, Babin et al. (2003) found that the combination of colours and lighting plays a detailed role in influencing the purchase intention of consumers and store patronage.Intangible store elements, such as sprayed fragrance, can stimulate ones affective state and help boost mental imagination (Fiore et al., 2000). Chebat et al. (2001) found that eliminate music can affect the cognitive activity of consumers. A positive imagery also helps in associating a better cognitive get laid between consumers and products, and intensifying purchase intentions (Macinnis and Price, 1987). However, consumers responses can be affect ed by heathenish difference.Chan and Tai (2001) found that Chinese Hong Kong people rely on culture values (e.g. practical realism) to evaluate store displays and less supersensitised to surroundal cues than American consumers. Also, Chinese cultural values had a direct relationship with store atmosphere evaluation in apparel role (Fok and Chong, 1996). For Vietnamese consumers, hedonic shopping motivations were directly related to store atmosphere evaluation in supermarkets (Nguyen et al., 2007). For Korean consumers, different cultural expectations were found in store milieu expectations in discount stores (Park, 2005). Therefore, cultural difference is important to ferment store atmosphere evaluation.4. Visual merchandising and SalesToday, customer walks through any mall or large stand-alone store where they moves through a continuos themes promotional mix of visual merchandising. The visual conjure starts with the outside window and continues through the use of end-aisle d isplays, layout, fixtures, and signage, continuing to the point of purchase displays where one final push is made ( Bell and Ternus, 2002). Once considered making the store pretty, visual merchandising has become its own department in larger stores. The visual merchandising process promotes sales without the need for a sales associate ( Bell and Ternus, 2002).Research confirms the importance of visual merchandising (Janiszewski, 1998 Mckinly, 2003) it has been found effective in change magnitude sales (Edwards and Shackley, 1992) and imperative in enchancing store image. Visual merchandising that can be effective take on exterior displays, window displays (Edward and Shackley, 1992 Gubernick, 1986), in-store display as well as the pitchfork display components of signage ( Edward and Shackley, 1992) and lighting.Given the possilities of visual marketing, one might expect that all retailers would use it. For many an(prenominal) small business owners, however, the need to create vi sual displays is just one more task (Yu and Muske, 2003). Successful visual merchandising and strike off featurey is all slightly understanding and satisfying customer needs. So the more that a company understands its consumers, brand and competitors, the better it can define and refine its own visual merchandising practice to deliver better solutions instore to improve the customer endure (Mckeever, 2007).5. Physical In-store EnvironmentIt has a great deal been suggested that good interior design within a store can maintain customer interest, encourage customers to lower their psychological defences and make a purchase (Kotler, 1974). In examining this effectiveness, the physical in-store environment has been examined in relation to conglomerate elements, for ex adeninele, orienting factors, signage (Bitner, 1992) spatial factors (Bitner, 1992) and ambient conditions (Bitner, 1992), which Kotler (1974) termed atmospherics. These elements are in many ways redolent of the face ts of merchandise display identified above.This high degree of congruence between merchandise display facets and the elements identified when concerning the physicality of the in-store environment would appear to add further weight to the use of such borrowed approaches in this interrogation. The work regarding the physicality of the in-store environment focuses on the communication of elements through cues and stimuli that the customer digests through a number of sensory modalities (visual, aural, olfactory, haptic and taste). Within the research on in-store environments it has been suggested that some people are better at digesting environmental stimuli than differents (Bitner, 1992).Given that up to 90 per cent of the cues provided by an environment are digested through sight (Edwards and Shackley, 1992) it follows that many environmental cues in the retail context are visually communicated. The twin threads of visual communication and readability highlighted in the environment al literature echo the sentiments raised in the comment of visual merchandising above. This then further authorityens the links between the visual merchandising and considerations of the physicality of the in-store environment. Therefore, from either perspective, understanding how to communicate product and brand images to customers through individual visual stimuli is vital.6. Aims of Visual MerchandisingThey are several(prenominal) aim of the usage of visual merchandising. Successful way of using visual merchandising will be able to send out quality message to potential and prospective customer and also enticing them to buy from the store(Kerfoot et al., 2003). Visual merchandising not only function as a configuration of space, layout and consumer flow, but visual merchandising itself is also a effectual communication and experience enhancer for the customer(Kotler, 1974).* Generate ExperienceExperience times pertains to stimulation and management of the entire domain of the c onsumers senses and managing sensuality so as well as to be congruent with the consumers desires Visual merchandising able to manage the visual senses whereby affect experience genesis in retailing.* Maximize SalesEffective visual merchandising helps in increasing sales through facilitation of consumer sampling and exposing the best of merchandise to the consumer .* beef up the BrandVisual merchandising can add brand strength to the retail store brand where the experience occurs if cosmos properly managed. For example, orchard apple tree store who use visual merchandising have been a self-made icon in the technology market and been known for their merchandise being visualized in their store.* Help Expansion of Product Categories Through Optimizing peril Effective visual merchandising also packs more through optimum display of merchandise. Thereby devouring empty spaces in the retailer where it is not necessary, making it feasible to display larger number of products and product categories, enhancing high total spending and hence contributes to the profits of the retailer.7. DiccusionVisual Merchandising was conceptualised in the western countries around the 60s. The basic tenet was to differentiate the brand in question, build tactile attributes at the point-of-sale which will reinforce the product attributes (directly or subtly) & act as a call for action, for the favourably disposed customer to touch & feel the brand experience.By the 90s visual merchandising had scaled the status of art & spilled on to a scientific territory. Organised retail contributed a broadcast to this development, as they were open to experimenting and it was an adding to the consumer purchasing experience. Visual merchandising is the art and erudition of retailing. Its the thoughtful design of the store. Its the aisle layouts, product adjacencies and the product sets themselves. Visual merchandising understands the target customers needs/desires and delivering an env ironment that encourages spending and increases purchases.Visual Merchandising aids customers buying decisions by placing the product where customers expect to find it. VM provides information about the product where it can substantially be seen. Seeing, Smelling, Tasting, Feeling, Selling and Merchandising is all tied together. Often time, about a 250% sales increase when retailer offer a try before you buy type sales process and in this condition where visual merchandising had fulfilled all the condition. In this case, visual merchandising definitely has an impact on sales and helping increasing the fortunes of retailer.8. remnantThis research investigates how visual merchandising plays an important role in upgrading the fortunes and sales of retailer and the relationship of it between visual merchandising and retailer. It is found that attention should be paid to the overall store displays which include in-store and out-store display to attract consumer and products should be d isplayed at area which could easily catch up potential and prospective consumer view. Visual merchandising is known as a rattling common strategies that be used in the trend nowadays as research shows that more than 70% of people who went to a mall harbort decided what they want to buy so it is important how visual merchandising play a role in luring potential emptor to the retailer.Visual Merchandising is everything that customers sees, both interior and exterior, that creates a positive image of the business and results in attention, interest, desire and action on part of the customer. fictive and great visual merchandising attracts attention, creates interest and invites customer to the store, directly gives impact on the sales of the whole retailer. So it is important how a retailer present the interior and exterior of the store. Furthermore, a good display is also act as a silent salesperson.When salespeople are busy with other consumer or the shop is closed, a strong windo w display showcases wheel spoke to the consumer itself. Visual merchandising should complement and enhance the image of your store. Combined with good lightning, strong signage and professional fixtures, visual merchandising generates excitement and of course, lead to an increasing in sales. Therefore, visual merchandising is definitely a major determinant for a customer to enter a store to spend as a consumer.REFERENCES1 Babin, B., Hardesty, D. and Suter, T. (2003), Color and shopping intentions the intervening effect of price uprightness and perceived effect, daybook of Business Research, 56(7), 541-512 Bakamitsos, G.A. (2000), Mood effects on product evaluations when and how does mood makes a difference, doctoral dissertation, Northwestern University, Evanston and Chicago, IL. 3 Bell.J., and Ternus, K. (2002). wordless selling Best practices and effective strategies in visual merchandising (2nd ed.), late York Fairchild Publications.4 Bellizzi, J.A. and Hite, R.E. 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