Friday, December 13, 2013

A Transformation from Jane Austens "Emma" to Amy Heckerling's "Clueless"

The 1993 film hit Clueless, written and directed by Amy Heckerling, exemplifies how dominion culture reappropriates Austens novel Emma into our own era by exploiting the coeval medium of film. It is by looking at the modern sidereal day equivalents or changes in each textual matter we becharm the severalise values of these starkly different worlds Emma is set in the village of Highbury, a rural representation of early 19th century Engish life. In this society England marriage was used to micturate alliances, contract financial security and climb the social ladder. However, Emma, the heroine of the novel, feels no need to make a good match in gear up to secure her future; a wizard char, of good fortune, is forever respectable, and may be as informed and pleasant as anybody else She need not fear neat an impoverished gray maid, like Miss Bates or an arrant(a) young woman like miss Fairfax who must splice to escape last as a governess. Emma, a gentlemans daughte r, is a member of the f number echelons of the gentry, who can afford to embrace for love. Clueless is set in the of late twentieth century, multicultural Beverly Hills, USA. Wealth, appearance and social connections( as unconnected to produce and family connections) atomic number 18 the criteria for social status and respect.
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These elements are furthermost easier to alter than birth and thus, movement between classes is also easier ( as proved by Tai, whose popularity rises beyond Chers). This makes marriage a faraway less fundamental aspect of living, reflected in Clueless. Marriage is no longer taken as seriously(as shown by the numerous marri! ages of Mel). trance sex, or mundane romances have replaced marriage, a reflection on changing values, the text can be seen as essentially conservative. Cher is saving herself for Luke Perry. A similar theme of the two texts... If you want to flap a full essay, order it on our website: OrderCustomPaper.com

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